Category Archives: Faith Hill

One of the biggest female country stars of the ’90s and 2000s, Faith Hill also took advantage of the inroads Shania Twain made into pop territory, becoming an enormous crossover success by the end of the millennium. Of course, Hill’s movie star good looks certainly helped her cause, and her much-celebrated marriage to fellow country star Tim McGraw gave her career an extra kick of glamour and mystique. Hill may not have appealed to country purists, but she had the star power of a diva even before her pop success.

Faith Hill was born Audrey Faith Perry on September 21, 1967, in Jackson, MS, and grew up in the nearby small town of Star. She was singing for her family as young as age three and first performed publicly at a 4-H luncheon when she was seven. Hill spent much of her childhood singing wherever the opportunity arose, influenced primarily by Reba McEntire, and at age 17 formed a lineup that played local rodeos. At 19, she quit college and moved to Nashville to make it as a singer, first finding work selling T-shirts. while this time, she was married briefly to material executive Dan Hill. Eventually she was hired as a secretary at a songs publishing firm, where she was discovered by accident while singing to herself one day. Encouraged by company head Gary Morris, Hill became a demo vocalist for the firm and also performed professionally as a harmony singer behind singer/songwriter/producer Gary Burr, who produced Hill’s own demo tape. A Warner Brothers executive caught Burr and Hill’s act at a Nashville club, and wound up signing Hill to a solo deal.

Hill issued her debut album, Take Me as I Am, in late 1993, with producer Scott Hendricks at the helm. Success wasn’t long in coming; the lead single “Wild One” raced up the country charts en route to a four-week run at number one early the next year, making her the first female country vocalist in 30 years to top the charts for that long with her debut single. The follow-up, a countrified cover of Janis Joplin’s “Piece of My Heart,” also hit number one, as did the album’s title track, and Take Me as I Am wound up selling over three million copies. Hill was set to build on her success right away, but had to undergo surgery on her vocal cords, which delayed the recording of her next record. Nevertheless, the wait wasn’t unreasonable, and It Matters to Me appeared in the summer of 1995. The title track became her fourth number one country single, and it was accompanied by a string of Top Ten hits that helped push initial sales of the album past the three million mark. Hill was by now a firmly established country hitmaker, and she continued her active touring schedule by teaming up with Tim McGraw in 1996 for the Spontaneous Combustion Tour. It was an apt name, as Hill married McGraw that October. The couple’s first child, daughter Gracie, was born in May of 1997, and not long after, their duet “It’s Your Love” — recorded for McGraw’s Everywhere album — was burning up the country charts, staying at number one for six weeks.

Hill came back in the spring of 1998 with Faith, which provided the first signs that she was interested in crossing over to pop audiences, even if the still-countrified music often straddled the fence instead of making her ambitions explicit. The single “This Kiss” proved the savvy of her approach; not only did it top the country charts for three weeks, but it also became her first pop hit, climbing to number seven. By the time “This Kiss” had run its course on the charts, Hill had given birth to her second daughter with McGraw, Maggie. If Hill had been a star in the country world, she was now rapidly becoming a superstar, known not just for her material but also her pure celebrity; she also signed an endorsement deal with Cover Girl makeup. Her next two singles, “Just to Hear You Say That You Love Me” (another duet with McGraw) and “Let Me Let Go,” hit number one country, though they didn’t duplicate the pop success of “This Kiss.”

Faith, gave us in 1998, became Hill’s biggest-selling album yet, eventually moving over six million units and climbing to the Top Ten on the LP charts; plus, it became crystal clear that Hill held major crossover appeal. Accordingly, she re-entered the studio immediately after her in promotion of tour and cut Breathe, a full-fledged bid for pop and adult contemporary success. Breathe entered the charts at number one upon its release in late 1999, and its title track became Hill’s biggest hit yet; it spent six weeks on top of the country charts and was an even bigger hit on the adult contemporary charts. during it only climbed to number two pop, the single had such staying power that it wound up the biggest hit of the year 2000. The follow-ups were pretty popular in their own right: “The Way You Love Me” and “There You’ll Be” both hit the pop Top Ten, with the former topping the country charts and the latter hitting number one AC. Hill also scored a Top Ten country hit with “Let’s Make Love,” a third duet with McGraw, and the two teamed up for another tour in 2000. Breathe was a bona fide blockbuster, selling over seven million albums in the U.S. and earning her a slew of award nominations. Hill spent much of 2001 taking a break and spending time with Audrey, her third daughter with McGraw.

In 2002, Hill came back to the spotlight with her fifth studio recording, Cry, a three-million seller whose title track netted her the Best Female Vocal Performance Grammy for 2003. Hill took nearly three years to return to recording, but when she issued Fireflies in August 2005 it was hailed as one of her finest works. The lead single “Mississippi Girl” (written by John Rich of the hit country duo Big & Rich) hit number one on the country singles chart, and the record reached number one on the record charts. Her Soul2Soul II tour of 2006, which she co-headlined with McGraw, became the highest-grossing country tour of all time.