Tulsa Red Dirt Artist Jake Flint Releases Poignant Up Tempo Single “Long Road Back Home” Oklahoma Red Dirt artist Jake Flint has released his sophomore single “Long Road Back Home,” the highly anticipated follow-up to his successful debut release, “Cowtown,” which was well-received by radio and fans alike. “Long Road Back Home,” co-produced by Flint with Red Dirt hit-maker Mike McClure is a lively up tempo song about the excitement of returning to beloved family and friends, and vividly captures the emotional anticipation of going back to your roots. Tulsa-based singer-songwriter Jake Flint is deeply entrenched in the Red Dirt music scene. Following the release of “Cowtown” in late-2017, Flint’s career took a sharp upward swing as his easy going style, quick wit and exceptional performance talents were embraced by the Texas/Red Dirt community of radio programmers and earned him a coveted slot as a featured performer at the recent TRRMA ‘Future Faces Show.’ The recognition and support of radio in building his awareness has given Flint the opportunity to greatly expand his touring base to reach a growing legion of fans. “I am super excited about and very proud of ‘Long Road Back Home,’ Flint states“It is a veritable testimony of the bittersweet conflict of feelings I personally get when leaving the gratifying hard work we put in on the road meeting people and performing and returning to my family and friends, home cookin’ and soft bed that I miss so dearly while away. I can imagine that many different types of people could relate to this feeling. From coming home from a semester away at college, a soldier from a tour of duty, or just someone who lives far away from their childhood home. It’s that feeling you get when you can see the finish line and you just know a big hug from mom and dad, a hot, home cooked meal and an impatient dog at the end of the driveway is eagerly awaiting your arrival.” Watch the Official music video for “Long Road Back Home” at this link: https://youtu.be/-j0LA-i0VDE Radio programmers can download “Long Road Back Home” at CD Tex: http://www.cdtex.com/broadcast_downloads.html “Long Road Home” is available for purchase at iTunes at this link: https://itunes.apple.com/us/album/long-road-back-home-single/1410540134 For more information about Jake Flint, connect with him online: Website: www.jakeflintmusic.com Facebook: https://www.facebook.com/JakeFlintMusic Twitter: https://twitter.com/JacobDFlint
Low Country Sound and Elektra Records are proud to announce the eagerly awaited new LP from Shooter Jennings. SHOOTER arrives at all music retailers and streaming services on Friday, August 10th. Heralded by Rolling Stone as one of 2018’s “30 Most Anticipated Albums,” SHOOTER is available for pre-order now at all DSPs and streaming services HERE. All pre-orders are joined by an instant grat download of the project’s first single, “Fast Horses & Good Hideouts,” also available today for individual purchase at all DSPs and streaming services HERE. “Fast Horses & Good Hideouts” – which sees Jennings and GRAMMY® Award-winning producer Dave Cobb (Chris Stapleton, Jason Isbell) sharing songwriting credit with iconoclastic character actor Randy Quaid – is debuting today at radio on SiriusXM Outlaw Country, home since 2005 of the hugely popular “Shooter Jennings’ Electric Rodeo” radio show. In addition, the single is joined by a new companion visual – directed by TK – that sees Jennings hosting his own variety show, entitled “Hey Shooter!” “Fast Horses & Good Hideouts” is streaming now at the official Shooter Jennings YouTube channel following today’s exclusive video premiere via Rolling Stone Country. TRACK LISTING Bound Ta Git Down Do You Love Texas? Living In A Minor Key D.R.U.N.K. Shades & Hues I’m Wild & My Woman Is Crazy Fast Horses & Good Hideouts Rhinestone Eyes Denim & Diamonds PRE-ORDER SHOOTER DOWNLOAD/STREAM “FAST HORSES & GOOD HIDEOUTS”
Introducing Christopher Austin, a 21 year old U.S. Army veteran and former Infantryman, born and raised in Soddy-Daisy, TN right outside of Chattanooga. Christopher has worked his way up from the local bars and stages as a self-taught musician with his sites set on writing tomorrow’s biggest country hits. Give him a listen and let us know if you want to hear more in the comments below! You can find out more about Christopher Austin On Twitter On YouTube
Charismatic entertainer, innovative entrepreneur and country singer/songwriter Karen Waldrup released her full length debut album in partnership with The Fuel Music on Friday, July 13 and a week later she’s officially “justified” thanks to four Billboard charts. Justified, the album she’s always wanted to make, landed at #26 on the Country Albums Sales chart, #44 on Independent Albums chart, #14 on Heatseekers and #7 on Heatseekers South Central. The album, produced by Garth Fundis and completely funded by fans all over the world via an Indiegogo campaign, is an eleven song album featuring a fresh new country sound meshed with the soulful nostalgia of Waldrup’s home state of Louisiana. “I can’t believe it and I couldn’t be more thankful to my Waldrup Worldwide Family,” exclaims Waldrup. “I always dreamed my debut album would land on the Billboard chart and I’m beyond ecstatic.” Waldrup wrote or co-wrote 9 of the 11 tracks with Nashville friends and fellow songwriters including Julia Cole, Anthony Smith, Donnie Skaggs, Ed Hill, Brian Kolb and others. The album features title track “Justified,” that Music Row magazine calls “a soul-rock tune that showcases potent, wailing and penetrating vocalist with moxie and fire,” the catchy party anthem “What Goes On In This Bar (Stays In This Bar),” Waldrup’s viral version of “I Hope You Dance,” the Lori McKenna penned love song “Sometimes He Does” and the vibey and sultry “Slow and Easy.” Throwback to November 2016, Waldrup launched an Indiegogo campaign to fund a new project that award-winning producer Garth Fundis agreed to produce. The life of the campaign was a roller coaster ride, with very low lows and even higher highs for independent artist Waldrup. During the campaign, she heard a preacher say “the moment you take the burden off of yourself to be important is the moment you start living your true potential,” and she committed to living that mindset. Shortly after, by request from a 16 year old fan, Waldrup recorded an unedited, one-take cover of Lee Ann Womack’s massive hit “I Hope You Dance” in her living room. After sending it to that fan, she also shared the video with her friends at lifestyle brand Country Rebel. They were blown away by the heartfelt cover and posted it immediately on their socials. After millions of views and thousands of interactions on social media, her Indiegogo campaign was over 100% funded and she began recording that dream album. To date, the video has been viewed over 28 million times. Listen to Justified here. Check out “behind the scenes” from the album here. Autographed copies available at www.karenwaldrup.com/store. Track Listing: Colorado Kiss – Julia Cole, Karen Waldrup Nobody’s Running Away – Ed Hill, Donnie Skaggs, Karen Waldrup Parker Presley – Parker Pressley, Karen Waldrup Justified – Brian Kolb, Karen Waldrup Slow & Easy – Anthony Smith, Karen Waldrup What Goes On In This Bar (Stays In This Bar) – Ed Hill, Donnie Skaggs, Karen Waldrup Sometimes He Does – Lori McKenna Praying For My Cowboy – Continue reading
The award-winning Grascals are well-known for their fun-loving approach to music-making as well as a tendency to record and perform out-of-the-box songs for their fans. To follow up the band’s highly successful Before Breakfast, they are releasing their new single, “Happy Together,” a classic song by The Turtles that’s so well-known as a happily-ever-after love anthem. Unison melodies played by the award-winning instrumentalists, Danny Roberts, Kristen Scott Benson and Adam Haynes bring a clever grassy new life to this rock track. Pulsing bass from Terry Smith and the harmonies and guitar of Terry Eldridge all backing the lead vocal of John Bryan make for a well-done cover that captures both the power of The Grascals and the joy of “Happy Together.” “The Grascals have done other tunes like this in the past from ‘Viva Las Vegas’ to‘Last Train to Clarksville’ and had good success so we figured we would try some more,” says Danny Roberts. “‘Happy Together’ has such a great message and an awesome melody that we felt like we had to do it, we hope everybody likes it like we do.” Listen to “Happy Together” HERE. About The Grascals Great musicians will always find a way to make good music, but for great musicians to make great music, they must form a bond – one that, more often than not, goes beyond the purely musical to the personal. For The Grascals, that bond has been forged at the intersection of personal friendships, shared professional resumes and an appreciation for the innovative mingling of bluegrass and country music that has been a hallmark of the Nashville scene for more than forty years. Their cutting-edge modern bluegrass is delivered with a deep knowledge of, and admiration for, the work of the music’s founding fathers. Timely yet timeless, The Grascals make music that is entirely relevant to the here and now, yet immersed in traditional values of soul and musicianship. It’s a unique sound that has earned three Grammy® nominations and two Entertainer of the Year awards from the International Bluegrass Music Association, as well as national media attention that seems to perpetually elude acts entrenched in niche genres. Such appearances include The Tonight Show with Jay Leno, Fox & Friends, The Late Late Show with Craig Ferguson, and CBS’ The Talk. All the while, stages that represent the strongest bastions of tradition continually welcome them, as evidenced by the over 150 performances on the Grand Ole Opry. Honors also include performing twice for President George W. Bush and at President Barack Obama’s inaugural ball at the Smithsonian. As their records prove, The Grascals’ rare musical empathy gives them an unerring ear for just the right touch to illuminate each offering’s deepest spirit – whether they’re digging into one of their original songs or reworking a bluegrass classic or a pop standard. Take for instance, fan favorite, “Last Train to Clarksville.” Non-bluegrass listeners enjoy a new take on a familiar song, while diehard bluegrass audiences who may have never heard the Continue reading
Desperate Man, Church’s First Album in Nearly Three Years, Set for Release Friday, October 5, 2018 Church Choir to Get Album Direct from Church “Desperate Man” is First Single, Co-Written with Ray Wylie Hubbard. In a video message speaking directly to his fans, 2-time CMA Album of the Year winner Eric Church told his faithful Church Choir [Church’s official fan club] earlier this morning: “It’s been a while; I just want to say I have missed you. I have good news…the album is done, and we are back. It’s called Desperate Man and the first single is called ‘Desperate Man,’” with the Choir having access to listen first through their login. Church continues, “Just like last time – just like Mr. Misunderstood – if you’re in the Church Choir, on October 5thyou’re going to get the album,” as Church renegotiated his record deal with EMI Nashville leading into Desperate Man to include his fans. “Desperate Man,” Church’s first single off the new album, is available everywhere now. Co-written by Church with Texas musician Ray Wylie Hubbard (who Church namechecks in his 2015 “Mr. Misunderstood”), “Desperate Man” sees Church again collaborating with producer Jay Joyce. Many may recall in 2015, Church stunned industry and fans alike with the surprise release of Mr. Misunderstood,giving it away to his fans first without interviews, hype or promotion. Church Choir members spoke directly to local television on how they received the record, being the first to confirm its existence. Church said then, “Everyone is so focused on your first week. But I am more concerned with week 80 than week one.” Mr. Misunderstood went on to win CMA Awards’ Album of the Year in 2016 and reached RIAA-Platinum certification earlier this year. Never satisfied with the status quo, Church constantly challenges himself as an artist and is applying that same philosophy to the Choir changing it to make it better and even more inclusive. Membership tiers are simplified to two options: paid and free. Members of the Choir will also be in control of what music and bundles they receive upon signing up and at renewal. Members who annual renew or auto-renew, and new fans who sign up will now receive an album of their choice from Church’s catalog – in addition to all the benefits paid members currently receive including access to purchase pre-sale tickets, chances for meet and greets, opportunities to attend Church Choir events and much more. The free tier of Church Choir membership includes access to the online community, email updates and special offers. By-passing the gatekeepers and speaking directly to the fans is fundamental to Church’s success and he is proving it once again with reconfiguring the Church Choir in advance of the release of Desperate Man. Church concludes the video message saying, “I look forward to seeing you on the road… I’m very proud of this album. See you soon.” Stay tuned to EricChurch.com for more information.
The Tree, the anticipated new album from Grammy, CMA and ACM Award-winning singer-songwriter Lori McKenna, will be released July 20 on CN Records via Thirty Tigers and is now available for pre-order. In advance of the release, the album track, “People Get Old,” is premiering today (listen/share HERE). The new album takes one of McKenna’s signature themes—family—and builds a tapestry of experiences she has lived and overheard, been told and dreamed up. Of the album, McKenna comments, “I love people’s stories about their families—the way they tic and the ways we’re all crazy and love each other. I hope my songs shine a little light on that for a second. Maybe our stories remind us of our families and what they give us. It’s beautiful, and sometimes we take it for granted.” The Tree is McKenna’s eleventh studio album and second in collaboration with Grammy Award-winning producer Dave Cobb (Chris Stapleton, Jason Isbell, Brandi Carlile). Recorded by Matt Ross-Spang over seven days at Nashville’s historic RCA, the 11-song album features McKenna (vocals, acoustic guitar), Cobb (acoustic/electric guitar, mellotron), Anderson East (electric guitar), Brian Allen (bass), Chris McKenna (mellotron), Chris Powell (drums, percussion) and background vocals from Kristen Rogers, Natalie Hemby and Hillary Lindsey. In celebration of the release, McKenna embarked on “The Way Back Home Tour” this summer. The headline tour kicked off June 29 at Annapolis’ Rams Head On Stage and includes stops at City Winery venues in Boston, New York, DC, Chicago and Atlanta as well as Philadelphia’s World Café Live and Nashville’s CMA Theatre among others. McKenna will also join Alison Krauss on two tour dates in Ohio this June. See below for complete details. The new album follows a series of breakthrough years for McKenna following the release of her Grammy-nominated album, The Bird & The Rifle. Released to widespread acclaim, NPR Music called it, “one of 2016’s best releases,” while Pitchfork asserted, “one of the most accomplished and devastating singer-songwriter albums of the year,” and The Washington Post declared, “the best-sounding album of McKenna’s 15-year recording career.” The album—which garnered Grammy nominations for Best Americana Album, Best American Roots Song (“Wreck You”) and Best American Roots Performance (“Wreck You”) and two nominations at the Americana Music Association’s Honors & Awards—also landed McKenna a profile on “CBS News Sunday Morning” and a performance on “The Late Show with Stephen Colbert.” Additionally, McKenna continues to enjoy tremendous success as a songwriter. In 2017, she became the first songwriter to win back-to-back Best Country Song awards at the Grammys since Shania Twain in 1999-2000 with her solo-penned, No. 1 hit “Humble & Kind” following 2016’s win for “Girl Crush” (co-written with Liz Rose and Hillary Lindsey). McKenna also won Song of the Year for “Humble & Kind” at The 50th Annual CMA Awards and became the first songwriter to win the award in consecutive years since Vince Gill (1991-1993) and the first female songwriter to win back-to-back nods in the history of the CMAs. Moreover, she made history Continue reading
You know nothing good can happen when the heartthrobs of country music get together for a good time and this time it’s got them going Straight To Hell in this fun throwback to the wilder days of the western world. Take a look and a listen to the collaborative crooning of Darius Rucker with friends Jason Aldean, Luke Bryan, Charles Kelley
Guts Club, a dark country band based out of New Orleans, will release their third LP, and first fully electric album, Trench Foot, this Friday July 6th. Listen To The First Single, “Mustard Tears”. Performing under the Guts Club moniker, musician and visual artist Lindsey Bakerself-released her solo debut album, The Arm Wrestling Tournament, in February 2015, resulting in favorable feedback from press. In a review from Tiny Mix Tapesthey said “Baker carries a guitar the way Robert Frost carried a hatchet: as a tool through which tension and rage can be released,” and Paste said “The Brooklyn singer and songwriter behind Guts Club sings with piercing emotional intensity.” She’s since moved from the northeast to New Orleans, where she recorded her second album Shit Bug, released on Moderate Fidelity Records on July 1, 2016. Baker brought along a band for Shit Bug and has since preformed with a rotating cast of musicians and friends.While The Arm Wrestling Tournament dealt mostly with dark, obsessive love, the themes of Shit Bug further define Baker’s ongoing narrative about coming to terms with otherness and alienation via her own brand of cosmic gloom. On March 2, 2018 RIP Records released a new single, “Mustard Tears” as part of their RIP Introduces series. The track is the first to be heard from Guts Club’s fully electric album, Trench Foot, which will be self-released on July 6, 2018. Trench Foot marks a thoughtful deviation from the characteristically shaky Guts Club to one more deliberate in composition and voice. Upon going electric, Baker developed a new command and agency over her songwriting unheard in previous recordings. The album maintains Baker’s violent and dark undertones, this time with increasingly pointed observations on regret, privilege, and retribution.